Posted by: Techmoan | March 26, 2009

Elgato Turbo.264 HD. Hands on user test and review.

Elgato have sold the Turbo.264 for a couple of years now – but until now it only handled SD resolutions. The new  Turbo.264 HD handles resolutions all the way up to 1080p, but is it worth the £140 asking price? – Read on to find out.

elgato-turbo-264-hd

Anyone with an HD camcorder will tell you that editing AVCHD video is a hellish nightmare.

The camcorder manufacturers don’t tell you this – they pretend that its all drag and drop. The glossy adverts show someone fresh off the ski slopes still garbed in their woollen hat watching their morning’s antics on the TV. Now this is all well and good and is actually possible if you only want to watch everything you shot, in sequence, through the camcorder itself. However, if you want to edit down your footage (like everyone should) then it is more than likely that the snow will have melted long before you’ll see your finished compilation.

I’m no pro camcorder user – just your average schmuck. I just shoot holiday footage on a normal consumer camcorder and edit the footage on my Macbook using iMovie09. In the days of DV tape this meant waiting whilst the footage was transferred in real time down the firewire lead to the Mac, but after that it was plain sailing. If I had four hours of tapes, it would take approx four hours to get that footage into the editing program – then the editing time – then another hour or two to export it as a DVD.

Flash memory HD cameras arrived on the scene with the promise of immediate access to any scene and drag and drop file transfer. This sounded quicker – however when it comes to HD  it can be much, much slower.

AVCHD is a very compressed format that requires some serious horsepower to decode. iMovie can’t edit it natively and therefore the files have to be converted to a more edit-friendly format.To facilitate this, iMovie converts them to the Apple Intermediate Codec (AIC). This converted footage is a much larger, more verbose file – from my experience 6 times larger than the source file. It is relatively easy for the Mac to edit and play the AIC files. Once the editing is complete the user then generally exports the finished movie to another format – usually some kind of MP4 file.

To give you some idea of the problems I encountered with editing AVCHD I need to share a few numbers with you.

I shoot my video with a Sony HDR-TG3 (aka TG1 in the rest of the world) If I use an 8GB Memory stick it can store a maximum of 55 minutes of AVCHD footage at a resolution of 1920×1080i .

My Macbook (2.2ghz 4GB late 2007) model takes approx 2 hours to convert an 8GB stick of AVCHD footage into the Apple Intermediate Codec and in the process creates a folder taking up a massive 48GB of the hard drive to store the converted footage. That’s if it doesn’t crash somewhere along the way – which isn’t entirely unusual.

The Turbo.264 HD’s purpose is to speed everything up. It gets used at the beginning of the process and again at the end.

The procedure goes like this…..

Plug the Turbo.264 HD USB dongle in – run it’s software – drag your AVCHD footage into it’s window – and click to export it as an MP4 file.

Elgato Software

Then start up iMovie and import these MP4 files. iMovie is compatible with MP4 files and doesn’t need to convert them to it’s AIC format. Once editing has finished. the footage can be exported from iMovie using the special Elgato Turbo.264 HD encoding codec and USB dongle’s processing power.

So what kind of improvements can be expected – well as always, mileage will vary based on your Mac but here are my results.

I started with a full 8GB memory stick from my recent holiday. It contained 352 clips at 1920×1080i resolution.

Without Turbo.264 HD

  • Import 8GB into iMovie09 @ 1920×1080i:  2hrs
  • The Size of the AIC workfiles folder created on hard drive:  48GB
  • Export 3 minutes of footage from iMovie09 as MP4  @ 1920×1080:  17 mins

With Turbo.264 HD

  • Convert 8GB of files into 1920×1080p MP4 using Turbo 264 HD:  1hr 10 mins
  • Import these MP4’s into iMovie09 @ 1920×1080i:  20 mins
  • Size of workfiles folder created on hard drive:  2.6GB
  • Export 3 minutes of footage from iMovie09 as MP4  @ 1920×1080:  2 mins 15 secs

264 in action

Now bear in mind that my recent three week holiday generated 40GB (5 hrs) of unedited AVCHD video and you can appreciate the amount of time and space that can be saved by using the Turbo.264 HD. It actually saves me hours rather than minutes of rendering/conversion time. That 40GB would expand by a factor of 6 when converted to the AIC – that’s 240GB of files (on top of the 40GB I’ve already used) and that’s a lot of disk space to have free. The Turbo.264 would convert that 40GB of AVCHD into under 15GB of Highdef MP4 files.

One very useful feature of the Turbo.264  HD is it’s ability to import just the .MTS files generated by the camcorder. iMovie 09 normally insists on the entire memory stick structure being complete before it will entertain importing any AVCHD files. This makes archiving of the original camcorder footage very difficult. Ideally you would want to just drag all the MTS files off your memory cards into a folder on your Mac so you could reuse the card. You could then import all the files at the same time instead of one memory stick at a time – the Turbo 264 HD finally allows you to do this.

The software provided with the Turbo.264 HD also has a number of additional useful functions. When importing footage you can actually play each AVCHD clip first to determine whether you want to include it in the conversion to MP4 process. The software also offers rudimentary editing of the footage by choosing a start and end point for each clip. It can then export these individually or combine the clips into one movie. If that is all the control you need, you can forget iMovie etc and just use the Elgato software on its own for a quick and easy editing and authoring solution. Predefined export formats include iPod, iPhone, Apple TV, PSP, 720p, 1080p – and these can be customised further too.

As I mentioned previously, my Sony TG3 records in 1920×1080i. The choice is to convert this to either a 720p or 1080p MP4. My Sony has a very small lens so there was very little noticeable image quality difference between the 720p and 1080p conversions. The 720p appeared slightly lightened/washed out so I used the darker 1080p video. The conversion seemed to take the same time for both resolutions anyway

There are of course a couple of niggles with the Elgato software (it is version 1.0) The ability to select multiple/all of the clips to effect  batch changes to the output format would be top of my improvements list [EDIT - See first comment for how to do this] and playing back the individual AVCHD clips sometimes behaved strangely.

The biggest problem I’ve experienced is that after about 40 mins of conversion,  the Turbo.264 HD USB stick gets red hot and then the Mac pops up a message to say  the device has been unplugged.  To sort this out I had to unplug it and give it  5 mins to cool down and then the conversion could continue  where it left off . This is a pretty significant limitation as it means means that I can’t leave the Turbo.264HD unattended to convert all my 40gb of footage in one go. I suggest that constructing the USB dongle’s case out of  sealed plastic might not have been the smartest idea – an aluminium or vented case might have helped with cooling. Perhaps the software should be updated to automatically pause for a breather every half hour – then it could be left running all day. (These comments have been deleted – see why at the end of this post)

closeup

In conclusion – if you are editing AVCHD on a Mac then the Turbo.264 HD has the potential to make it a lot easier. Without this device, editing AVCHD video is a frustrating and unpleasant experience. I’ve always had to spend days to import my camcorder footage one stick at a time – returning to the Mac every few hours to swap memory sticks and restart the import process. I could  never be confident that iMovie  wouldn’t have crashed when I returned. This also necessitated leaving the computer and external hard drive powered up and running at full throttle for long periods of time. With the 264 HD I can skip past many hours of waiting and more quickly get down to the fun process of actually editing the footage.

The drastically reduced disk space required for the imported footage means that I didn’t really need to get that 1.5TB USB drive to hold my temporary AIC video files after all. If the Turbo.264 HD had come out a couple of months earlier it could actually have paid for itself by enabling me to avoid this unnecessary hard drive purchase.   I’ve found that editing MP4 files is a more stable and responsive process than handling the larger AIC files and overall my editing experience has been completely transformed by this tiny device.

It’s not cheap – but  to many people it will be worth every penny, especially for those who value their sanity.

I consider the Turbo 264HD  to be an essential purchase for anyone editing AVCHD footage on their Mac.

I got mine delivered direct from Elgato @ www.Elgato.com

UPDATE – My overheating Turbo 264HD appears to be a one-off,  no one else on the Elgato forums is reporting similar issues, so I’m going to get it replaced and I’ll report back. It should also be mentioned that at the moment there is a known fault that prevents export direct from iMovie09. The problem should be rectified with the next software update. The Elgato team are aware and they should be congratulated for being very hands-on and responsive. The official forums are a useful resource for information and assistance for their users.

UPDATE 2 – Sure enough my Turbo 264HD was faulty after all. I’ve received a replacement unit that doesn’t overheat. So don’t worry about this issue when deciding whether to buy one. Oh, and while I’m here, I should mention that I’ve spotted the 264HD on the shelves in the Apple stores recently, so if you are near a store you can pick one up instead of buying mail order.

UPDATE 3 – Make sure you read the comments – there are some links in there to some test footage in 720p using the various deinterlace options. These might help you decide if the Turbo264HD would be useful for you.


Responses

  1. You can hold down the Option key, and then when you change the output format of one clip in your window (like to HD 1080p), all of the other clips will change to that same format.

  2. Wow! This is a really kick ass blog post. Really really informative. I’ve been surfing around for hours looking for a HD camcorder that records in .264 with an external mic.

    However, I think the way to go is to get a regular HDD or SDHC one that saves in avchd and then using the elgato convert it to 264 and edit it that way.

    I was hoping to be able to take it off the camcorder and upload it to the web, unfortunately looks like I gotta do a bit of post production.

    This is basically for recording and publishing talks online, so an ext. mic is essential.

  3. Many thanks for the kind comments.

    I was going to suggest that you should have a look at the Sanyo FH1
    http://sanyo.com/xacti/english/products/vpc_fh1/index.html
    but for some crazy reason Sanyo appear to have removed the mic-in socket that is present on it’s sister camera the HD2000
    http://sanyo.com/xacti/english/products/vpc_hd2000/index.html
    I therefore think that the HD2000 might be the only camera that records straight to MP4 and has an external mic socket.

    I’ll update the Elgato review when my replacement one arrives to see if the overheating problem was really down to a faulty unit.

  4. Nice post! It’s actually the only one i found about a decent workflow involving T264HD both at import and at export with efficient editing in the middle. I was really annoyed by the AIC conversion and size which would force me to use an empty 250GB working hard drive for my holiday movies…I’m not sure why i didn’t find other people using the same workflow in several forums (elgato and others)…I have the feeling they mostly use it for export at the end of the editing process.

    Of course, since i bought the T264HD this week, i had a ton of conversion to make and ended up with a 15 hour total running time batch to process…the first indication the software gave me is 20 hours remaining to convert AIC to 1080p H264. I honestly didn’t expect it to finish the process without a single crash, but after 2 hours the USB disappeared and the software gave me the same error message you had : ‘the device has been unplugged’ or something like that. I’m not sure if it overheated because I was sleeping at that time but in the morning i unplugged and replugged and now it has been encoding 5 hours straight and no crash yet…

    I guess i’m pushing voluntarily its limits to make sure if something happens it will happen fast so i can get a replacement if i also have a faulty one.

    Thanks for the info and happy editing!

  5. Thanks for the kind comments.
    Elgato are really dragging their heels on delivering a fix for the Export from iMovie09 bug.

    There isn’t a day goes by that I don’t check to see if there is a software update – but alas, we are still stuck with 1.0.1 (I just checked again).
    I’ve asked about this on the forums and they confirm that they are working on it – but we need this fix asap.
    I don’t envy you with your 15 hours of footage – even if you trim that down by half – it’ll still take literally days to render it out again until Elgato get the export acceleration working again.

    Good luck and thanks again for contributing.

  6. 1.0.2 Has recently been released – yet still no fix for the iMovie09 export. I’m beginning to think I’m the only person trying to use a 264hd with iMovie09 – it seems incredibly unlikely given that the 264HD is Mac only and all new Macs come with iMovie09 – but its the only way I can rationalise how no one else seems to be bothered about this.
    Is anyone there…….anyone…….hello………….arse.

  7. I’d like to thank you for a good review. Your article covers some information which other guys don’t, like the actual time-related data for the entire import/export process for AVCHD. Cheers from a Japanese guy in Tokyo!

  8. Thanks for your kind comments – they are very much appreciated.

  9. Great post, really useful.

  10. Informative review. Possibly a good solution. I’m about to venture into techy talk I virtually don’t understand myself so bear with me….

    As i mentioned in AV forum post, I was a bit put off by “jittery” quality of TG3 footage. It can be greatly improved by following this work flow:

    http://blog.davidglover.org/2009/03/creating-hd-video-with-imovie-09.html

    But it takes forever! In the end, it’s a de-interlacing guide.

    I have heard that iMovie ‘09 has certain “bad fx” (basically everything but simple transitions).
    So my 1080i footage, when used with a single “bad fx” will be downgraded to 960×540.
    Something to do with footage being interlaced possibly.
    Do you know/have you heard if i process files from camera with Elgato 1st, getting 1080p MP4’s and then importing them to iMovie, i’m then free to use all fx/transitions without having my footage brute down graded to 540? See this thread:

    http://discussions.apple.com/thread.jspa?messageID=9431180&#9431180

    Cheers.

  11. I had no idea about that problem.

    When I get an opportunity over the next few days/weeks I’ll shoot some footage in 1080i and convert it to 1080p and 720p using the Turbo264.

    Then I’ll try editing these files in iMovie09 and see what happens with the results vs the original raw 1080i version.
    This might take me some time to get around to (I’ve got a lot going on at the moment) – but I’ll let you know what happens.

  12. Cheers,

    No rush, but interested to hear how it works out. If you get a chance read that 2nd link to thread i posted. It’s very interesting/disconcerting. Ultimately it depends how you want to view the footage, in my case as full HD as possible on my fat HD telly ;-)

  13. You’ve got me thinking now. I was going on more about the smearing/blurring I get when I pan. It’s not just me though – it happens with the HD football on TV so I think it’s just down to the TV’s refresh rate and 1080i not playing well together.

    As far as jerkiness goes – I had a nightmare with a Canon HV10 where my holiday footage was beautiful when still, but so jerky (once imported into iMovie) as to be pretty much unwatchable.

    At the time I managed to determine (I think) that it was all to do with how iMovie converts the 1080i video to a progressive format. I think it was just duplicating each frame so a panning shot then acquired this stop-start motion.

    When I use the Turbo264HD it does a better job of deinterlacing, it softens the picture a bit – but it doesn’t jerk as much – at least I think it doesn’t …. but as I mentioned – you’ve got me thinking now, maybe it does still jerk (as well as blur) – I’ll really have to do those tests to give you a proper informed answer.

    I’ll see what I can put together over the weekend.

  14. http://gallery.me.com/cosconstantinou#100376

    Have a look at the above link. It’s my TG3 juddering as it pans along my street. i think the footage is still there, but am at work and site is blocked, so can’t check.

    Like I said, in your own time re your tests, no need to go out of your way. I’m skint at the moment, so don’t need an excuse to buy another gadget…

  15. I hope you find this useful….
    I recorded a short panning shot using the TG3 at its normal 1080i -HD HQ setting.

    I then put the original mts clip through the Elgato Turbo264HD using various presets.

    The initial panning shot looked fine on the camera but it’s interesting to see how the different encoding options and FPS can mess this up.

    In my opinion the best results came from converting the clip to 720p 60fps at 10,000kps

    There are two collections of converted clips, one at 720p and the other 1080p

    720p
    https://www.yousendit.com/download/Y1Rvck81YUltUUZMWEE9PQ

    1080p
    https://www.yousendit.com/download/Y1Rvck85bTg5bEJMWEE9PQ

  16. Wow,

    Had a look at these this morning. the 720p 60fps at 10,000 is by far and away the winner. Will import with iMovie and try some of these “bad fx” tonight and see what happens.
    I transfered them to my PS3 and above mentioned clip is out and out winner again-actually looks amazing. I need to recreate this myself, without Turbo stick, within iMovie and see if i can achieve same results.
    Interesting….

  17. Ok,

    As far as i can tell, all those so called “bad-fx” do downsize your footage in iMovie if used. I have to trust my own eyes though, as when you export, it will export the movie to specified size, it just “stretches” the picture within. So 540 is stretched to 720/1080 etc. It’s still a 540 image-just bigger, if you get me.
    However, none of this matters as the smooth 720 60fps @ 10,000 looks awesome.
    There must be a way to recreate this in iMovie, because that 10,000 could become 16,000 or higher, which should result in an amazing picture (10,000 is the highest on the Elgato stick, right?).

    Muchos gracias for the clips, really appreciate it, am linking them in other forums to see if anyone else nows how to recreate them via iMovie. Failing that, will cough up for a USB stick.

    Cos

  18. I just picked 10,000 as an arbitary figure. It will go higher – I just typed 10000 in the kps box. This is the bit with editing that I’ve always had problems with, I never know the best settings for these things so end up experimenting endlessly. The Elgato stick also has a load of more complicated settings for different types of deinterlacing and encoding – I could mess around for ever. If you would like to send a particular .mts file I could try some different kps settings to see if you can see a difference, however at a certain point it will get jerky again when there is too much data for the decoder software/device to process.

  19. A solution for the TG3/imovie conversion at last Well done – this is the only info I have found after weeks of searching.

  20. I thought I’d take a few minutes to demonstrate the different types of deinterlacing available in the Elgato software.
    The options are ‘automatic’, ‘drop field’, ‘average’ or ‘progressive scan’.
    I’ve put the same panning shot through all four options at 10,000 kbps and then I’ve put the clips through the ‘automatic’ and ‘progressive scan’ options at 20,000 kbps.

    The test clips I used were of a pan at a fast speed then again at a slow speed – both were hand held.

    For some reason these clips don’t seem to convert as well as the earlier clip I uploaded and can only assume that it is down to the speed of the pan – it seems that it might be a fluke when this is compatible with the frame rate and I must have just got lucky last time.

    I’ve only got the standard 1gb download limit on yousendit – so you’ll have to be quick if you want to get these clips before they max out

    10,000 kbps
    http://www.yousendit.com/download/Y1Ryc0w0YXlVVGxMWEE9PQ

    20,000 kbps
    https://www.yousendit.com/download/Y1RyS3duTmE4NVVLSkE9PQ

  21. Don’t worry if you can’t get any of the yousendit files linked above – I wasn’t aware of their 1GB file download limit when I uploaded them.
    I’ll move them to a more appropriate place as soon as I get a chance and I’ll re-post the download links – but you’ll have to give me a day or two.

  22. Morning,
    Thanks for these. I grabbed them this morning before heading off to work, so no need to move on my account unless someone else wants them?
    I had a quick look.
    I disagree with you saying they didn’t convert as well as previous clip, as from this mornings very quick view, the “progressive” 10,000 still looks 100% better than anything i’ve achieved. I’ll look again tonight and post back.

  23. In case anyone else is interested – here is an alternative link to the demonstration of the different deinterlacing (and kbps) options (all 720P)
    http://www.sendspace.com/file/3p424p

    …and here is the link to the 720p conversion clips I first posted using a variety of FPS settings.
    http://www.sendspace.com/file/xaou2x

    Both these files are supposed to have no download limits

    I haven’t included the 1080p clips I posted earlier as these were only uploaded to show their inferiority to the 720p conversions.

  24. Can I interrupt?
    I have never been able to import Sony TG3 1920×1080 AVCHD resolution film into Imovie. Always ends up at 720. Neither can Apple store.
    Are you saying the Turbo.264 HD will allow me to convert it into 1080 mpeg format for use at that HD resolution in Imovie? Are you then saying it isnt any better than 720 resolution anyway?
    My brain hurts.

  25. What do you mean? Do you mean you can’t export it at 1080?
    What do you click when importing? The full/original size will import to 1080.

  26. From memory (which isn’t usually reliable) I think it depends on your version of iMovie – some only go up to 960×540.

    iMovie09 definitely allows you to import in 1920×1080i – but it takes an age and converts all your files to the verbose (large) AIC fomat.

    The Turbo264HD stick will allow you to convert your video into 1280×720p or 1920×1080p .mp4 files that are fully compatible with iMovie – they don’t need converting again before editing.

    And this might be controversial, but it is my opinion that the Sony TG3 doesn’t have a big enough lens or sensor chip to make it worthwhile struggling with 1080i files. I find that if I convert it all to 720p it plays back smoother, takes up less room and is to my eyes, indistinguishable to the same files converted to 1080p.

    Now if I had a big chunky camcorder with a lens the size of a jam jar lid it might be a different story.

  27. Cosmic yes I do mean I click the “original size” . In Imovie 09 if you then check it in the “share” drop down menu Quicktime gives the existing file size – always 720 even after the aforementioned original size import. We have tried everything.

    Techmoan – Imovie 09 is supposed to do what you say – but we cant do it. Applestore cant find a way through it either. If there isnt an improvement over 720 definition with or without your latest wide angle lense discussed elsewhere then I only need the Turbo264HD to reduce file sizes – which is still a pretty big plus.

    Recording rockbands in night clubs would seem to be needing all the HD I can get due to lower light levels. 1080 not 720 would seem to be the answer for that?

  28. OK, I know what you mean now.

    Yes in iMovie09 the only easy default HD Share option is 720p – this has been put in there so that people can export to a format that the AppleTV can play – I’ve copied the following paragraph from here http://tiny.cc/Zfdjy
    It details the max specs for a file for the Apple TV….

    Main Profile (up to Level 3.1) H.264 progressive video with B-Frames up to 1280 x 720 (720p) at 24 fps with a maximum bitrate of 5Mbps (5,000kbps) and AAC-LC encoded stereo audio with a maximum sampling rate of 44.1kHz.

    So this is what the iMovie Share in HD option gives you.

    You can share from iMovie09 at higher resolutions (including 1920×1080) by choosing to share/export using the Quicktime encoder then delve into the options. I haven’t got it in front of me to refer to – but you need to choose an MP4 format – e.g. H.264 and then drill down into the advanced options to specify your preference for resolution, FPS and bitrate. It’s a minefield…I’ve never found the perfect settings – despite scores of attempts.  

    Oh and the different resolutions won’t affect your low light situation either way unfortunately, so you can just stick to your 720p exports

  29. Applestore insist that the Quicktime encoder that you refer to above shows “current” size and is exactly that. ie not 1080 but 720 or less.

    Otherwise how do you know what resolution you have imported in? Thanks for the reply anyway but I dont think we have solved the Imovie import at 1080. What does Cosmic think?

  30. Chas,

    i’m sitting in front of iMovie now. I have my TG3 connected. When i click the camera icon it has a drop down tab asking where i’d like to save it etc. It also has a another tab which says “optimize video” which i leave on “full-original size”.
    You know which size/resolution you have imported in, because you have marked the tab “original size”. Its telling you there, if you record at 1080, that is it’s original size and therefore what it will import it at. Original size, is original size-whichever way you look at it, unless i didn’t understand your question.
    Mat is right about the exports-only way to export to that size, is via the quicktime tab.

  31. OK
    I will follow your advice. Thanks for both putting another point of view. i will challenge Applestore next time I see them.
    Turbo264HD is still a must i think.
    Chas

  32. Product is completely useless because every avi file that I try to convert for the AppleTV has significant out of sync audio problems. After researching this issue further, I have come to discover that MANY other users are having the same problem. Apparently, Elgato is trying to fix the problem but have not been able to do so yet.

  33. Some Turbo users (like Jeff above) have experienced sync issues with mal-formed AVI files. We have addressed this issue in an update to the Turbo software. A beta version is available now*, and the release version will be ready shortly.

    Mike Evangelist
    Elgato

    *Turbo.264 HD version 1.0.3 beta can be downloaded here: http://turbobeta.s3.amazonaws.com/turbohd_103b17_826.dmg

  34. Thanks for this superb review and also comments. I have the latest model of the same camcorder TG5E and am struggling with much the same issues. I’ve purchased Turbo 264 HD and the converted movie files @720p @50fps @10000kb/s look great, almost as off the camera, no significant judder etc.

    Now I am trying to pass the video files through iMovie, so far with no success. For some reason iMovie would see the converted mp4 files as “greyed”, which cannot be imported for editing.

    Any thoughts as to why and what else can I do?

    My objective is to use Elgato for importing files from my camera in mp4 format, edit them in iMovie and export via Elgato again at those settings you found and shared with the community.

  35. In iMovie import the files like this…

    Go to FILE>IMPORT> MOVIES…> Then navigate to your new .mp4 files – select the ones you want and click Import.

    You will have trouble exporting via the Elgato as this feature is still not working in HD with iMovie for some unknown reason. It will export the video but the Turbo264HD will not speed the process up (on my Macbook it quotes about 12hrs to export a 1.5hr movie in 720p – the same speed as using iMovie without the Turbo264HD attached).

    Hope that (sort of) helps.

  36. Thanks for your comment. Trouble is it isn’t working – my iMovie program “sees” the .mp4 files I imported via Elgato but I cannot select them to import for some reason, they are “greyed”…

  37. I’m not sure if this is the reason, but have you bought the Quicktime pro upgrade? I’ve got it on mine and I think it might be required for handling MP4 files. It’s the only possible reason I can think of.

  38. 1.0.3 (b843): Still audio-video out-of-sync issue:

    Still the new version has similar problems as all versions before.
    Same avi. video file can be properly converted by visualhub !

    Unfortunately Elgato support could not help.
    They closes the ticket without solving the case.

    http://forums.elgato.com/viewtopic.php?f=128&t=6021

  39. I am not satisfied with the picture quality of Turbo.264 HD after compressing my 720p HD recordings of my Panasonic Lumix DC-TZ7. The video loses a lot of details.

    Turbo.264 HD also doesn’t do a good job exporting movies from iMovie09 because the result is much darker than the original.

    I also made a test by uploading an uncompressed HD movie to YouTube:

    After it was compressed by YouTube to a H.264 mp4 file in HD the quality is much better than the compressed file by Turbo.264 HD. The YouTube file was even smaller.

  40. Hi everyone…

    From my experience (semi-pro), the audio syncing and quality issues arise because the files you’re working with are being compressed over and over. Remember, compression is lossy. The more you compress a file the more data is lossed, both in visual and audio quality.

    If you’re working with HD. Sorry to say, you’ll need a high-end machine that’s designed to work with large file sizes. Like a MacPro and a powerful graphics card.

    Use a dedicated large hard drive for the video, edit in a format that has minimal compression. Then export the final edited version using compression.

    Hope this helps ;-)


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